UGC WTF? How Media Buyers & Creators Actually Win Together

With Courtney Fritts

Most brands say they value UGC. Fewer actually know how to work with creators in a way that produces consistent, scalable performance.

In this episode of Scalability School, Courtney Fritts breaks down what’s really happening behind the scenes when UGC works and why it so often doesn’t. Courtney brings a rare perspective: she’s both a media buyer and a UGC creator, managing accounts from $3k/month to $1M+/month in spend while also producing content herself. The result is a practical, no-fluff look at how creators, media buyers, and brands should actually collaborate.

The Biggest UGC Myth: “Good Ads Always Spend”

One of the most frustrating realities for creators:
A great ad doesn’t always get spend.

Courtney explains that creators often assume performance equals quality. But in reality, the algorithm decides what gets delivery—not the creator’s confidence or portfolio.

Media buyers regularly see:

  • Ads that look amazing but stall at $2–$100 in spend

  • Creatives that pass every gut check but never exit learning

  • “Good” ads that simply don’t align with algorithmic signals

The takeaway: performance isn’t personal. A creative can be solid and still fail due to timing, structure, audience, or platform dynamics.

Why Some “Bad” Ads Print Money

One of the most counterintuitive lessons Courtney shares: Your best performing ad might have a terrible hook rate.

She references creatives with:

  • ~20% thumb-stop rates (well below best practices)

  • Extremely high conversion efficiency

  • Long, sustained spend ($500k+)

Why? Because those ads filter fast. They repel the wrong audience immediately and retain only people who actually care—driving higher downstream conversion.

Not every ad needs to stop everyone. Some ads are designed to qualify.

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Creative Styles That Are Working Right Now

Courtney highlights a few formats brands can test immediately:

1. Split-Screen Hooks

Vertical split screens add stimulation and visual contrast in crowded feeds. Simple, effective, and working across accounts.

2. Ugly Statics (Yes, Really)

Many brands see statics fail all year—then suddenly dominate in Q4. Clear, bold, Canva-style graphics with strong contrast often outperform polished design during high-intent periods.

“Not uglier is better. Clear is better.

3. “This Is an Ad” Creative

Trying to disguise ads as lifestyle content often backfires. The fastest path to performance is:

  • Show the product early

  • Explain what it is

  • State the price or value clearly

Users already know it’s an ad. Transparency converts.

The #1 Thing Killing UGC Performance: Over-Briefing

Courtney is blunt here: Overly rigid creative briefs destroy authenticity.

Common mistakes brands make:

  • Writing word-for-word scripts for non-actors

  • Forcing shot lists that are logistically unrealistic

  • Copy-pasting the same brief to every creator

Great creators need talking points, not monologues. The more a creator can use their own language, the more believable the content becomes.

How Courtney Evaluates Creators (Hint: It’s Not Case Studies)

When hiring creators, Courtney:

  • Skips logos and brand lists

  • Ignores case studies initially

  • Focuses on feel

She asks:

  • Do I trust this person?

  • Do they sound natural?

  • Do they look like the user they’re meant to represent?

If the authenticity isn’t there, performance rarely follows—no matter how impressive the resume looks.

What Creators Don’t Understand About Media Buying

Creators often ask: “Why didn’t my ad spend?”

The answer is simple but uncomfortable:

  • The algorithm is unpredictable

  • Media buyers can’t force success

  • Testing often requires major structural changes

Courtney compares the algorithm to a toddler—you let it roam until it’s about to hurt itself, then intervene. Winning creative must serve two masters:

  1. The consumer

  2. The algorithm

Ignoring either breaks performance.

What UGC Should Actually Cost

UGC pricing guidelines for brands, including creator costs, deliverables, and usage rights that protect performance and margins.

Stop Asking Creators to “Go Viral”

Virality is random. Systems are not.

Courtney emphasizes:

  • Creative volume matters but quality matters more

  • No one knows which ad will win ahead of time

  • The best performers are often obvious after they work

Chasing trends, memes, or “what Twitter says works” usually leaves performance on the table.

Final Takeaway

If there’s one message from this episode, it’s this:

UGC works best when creators are trusted, briefs are flexible, and performance is evaluated with nuance and not ego.

The brands winning with UGC aren’t chasing hacks. They’re building repeatable systems, respecting creators, and letting clarity beat cleverness every time.

Learn more about the foxwell founders membership

This was first posted in the Scalability School

Scalability School Podcast

Andrew Foxwell, Zach Stuck, and Brad Ploch launched the Scalability School Podcast after months of ongoing group chat conversations centered on the constantly changing performance landscape of Meta and other digital platforms. What started as informal back and forth quickly became a realization: they were gatekeeping valuable tests, insights, and lessons that deserved to be shared more openly with the DTC community.

Scalability School was created to change that, bringing transparent, experience-driven conversations directly to operators, agencies, and teams navigating modern growth.

https://www.scalabilityschool.com/
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